It was a long commute. 54 minutes to be exact. Passing through 16 stations. A book was indeed necessary; “The Sun Also Rises” by Hemingway. I don’t particularly enjoy this novel but I make an effort to finish it nonetheless, 4 more chapters to go – ‘Phewwww!’
The pre-recorded voice of the train-lady announces that I have arrived to my destination.
I follow the ‘WAY OUT’ sign and up to the escalators. I swipe my oyster card and make my way out of the station. It’s drizzling; some people are escaping the rain inside cafés and restaurants, and others are doing ok under their umbrellas. As for me, I stepped into a time capsule; an 1838 building that stands on one of London’s most vibrant squares. There I was, inside the National Gallery with its high-reaching ceilings, and stretched out walls carpeted with the most amazing works of art. I eagerly marched to the 19th century collection.
Through one of the glass door separating one hall from the other, I catch sight of a canvas; an impressionist painting. And that was it…
I immersed myself in the impressionism sphere, dancing my way from one piece to the
next, gazing at the marvels of Monet, Renoir, and Degas; admiring the masterly brushstrokes
of Rysselberghe, Vuillard, and Gogh.
Claude Monet – Water Lilies, after 1916
Monet described hid Water-Lilies as “producing the effect of an endless
whole, of a watery surface with no horizon and no shore”.
Claude Monet – The Japanese Bridge , about 1919-24
“The instability of a universe that changes constantly under our very own eyes” Monet adds.
Claude Monet – The Water-Lily Pond, 1899
Pierre-Auguste Renoir – The Skiff (La Yole), 1875
Renoir painted a number of ‘open air’ boating scenes on the Seine during the 1870s.
Claude Monet – Snow Scene at Argenteuil, 1875
It is the largest of no fewer than eighteen works Monet painted of his home
commune of Argenteuil while it was under a blanket of snow during the winter
of 1874-1875.
Claude Monet – The Gare St-Lazare, 1877
When he painted this painting, Monet had just left Argenteuil to settle in Paris.
After several years of painting in the countryside, he turned to urban landscapes.
Claude Monet – The Beach at Trouvill, 1870
Grains of sand are present in the paint, confirming that it must have been at least
partly executed outside on the beach.
Georges Pierre Seurat – Bathers at Asnières, 1884
Asnières is an industrial suburb north-west of Paris on the River Seine.
Théo van Rysselberghe, Coastal Scene, about 1892
A Belgian neo-impressionist painter, who adopted the pointillist technique
of Seurat in the late 1880s.
Gustav Klimt – Portrait of Hermine Gallia, 1904
Besides being the painter of this portrait, Klimt also designed the dress
Hermine Gallia is wearing.
Pierre-Auguste Renoir – At the Theatre (La Première Sortie), 1876-7
Édouard Vuillard – La Terrasse at Vasouy, 1901, reworked 1935
Vincent van Gogh – Sunflowers, 1888
Van Gogh associated the colour yellow with hope and friendship.
Vincent van Gogh – A Wheatfield with Cypresses, 1889
This was painted in September 1889, when Van Gogh was in the St-Rémy
mental asylum, near Arles, where he was a patient from May 1889 until May 1890.
Paul Cézanne – Avenue at Chantilly, 1888
Hilaire-Germain-Edgar De Gas – Ballet Dancers, about 1890-1900
Hilaire-Germain-Edgar De Gas – Russian Dancers, about 1899
The artist has extended the composition by adding a strip of paper at the bottom.
And this is me, leaving…